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The Plaza de San Jorge is located in the heart of the walled city of Caceres, is framed by the Church of St. Francis Xavier Becerra 's house , a group of tourist shops and Palace Tower Golfines Down .
On the stairs leading up to the church, is in a niche mounted figure of St. George, patron of the city , killing the dragon. The sculpture , bronze , is by Jose Rodriguez . \" According to Vasari , Donatello 's work is a premonition of Michelangelo : prepares the way . Similarly Brunelleschi in architecture and painting Masaccio , Donatello is the initiator of the sculpture , \" the inventor of good modern style . \"
Vasari has guided subsequent interpretations . H.W. made its analysis Janson with respect to San Jorge is not fortuitous . According to Janson , his expression corresponds to the triumphant figure of David to that of a saint dragon slayer . ofThus, occupy a place in the iconography of the biblical hero \" from the previous version of itself Donatello and Michelangelo's famous giant \" . It has been recognized in the San Jorge a metamorphosis of another of the same style sculpture representing David . ( ... )
Sculpted by custom gunsmiths Guild (Arte dei Corazzai and Spadai ) for Or San Michele , the statue of the saint and protector quintessential gentleman guild was placed in a Gothic niche adorned by a pediment where it appears God the Father and in the base , by a marble bas-relief \" where the saint kills the dragon \" ( Vasari ) . If the San Jorge has become the paradigm of Quattrocento statuary is precisely because it can not be compared to any other contemporary sculpture. The volume fullness links here forgotten the lesson and provided stable forms of weight that are characteristic of Giotto , renewed by the sculptor . The change that would emerge in the latesecond decade of the fifteenth century Florentine style evolution Ghiberti and that would cause the passage from the San Juan Bautista San Mateo is evident in all splendor at the St. George by Donatello. The \"natural\" aspect of the statue called the attention of the beholder. While there is a main point of contemplation , seen from another angle does not lose at all your concentration and roundness shape. It embodies a human dimension exemplary , ideal, which stands in a space which serves as a measure and comprising within its legislative \" the beholder \" . Do not forget that is contemporary with Brunelleschi's perspectival experiences . ( ... ) He has the poise and the sovereign authority of Christ placed by Masaccio , a few years later , in the middle of Pay Tribute cool in the church del Carmine in Florence.
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Plaza San Jorge
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The Plaza de San Jorge is located in the heart of the walled city of Caceres, is framed by the Church of St. Francis Xavier Becerra 's house , a group of tourist shops and Palace Tower Golfines Down .
On the stairs leading up to the church, is in a niche mounted figure of St. George, patron of the city , killing the dragon. The sculpture , bronze , is by Jose Rodriguez . \" According to Vasari , Donatello 's work is a premonition of Michelangelo : prepares the way . Similarly Brunelleschi in architecture and painting Masaccio , Donatello is the initiator of the sculpture , \" the inventor of good modern style . \"
Vasari has guided subsequent interpretations . H.W. made its analysis Janson with respect to San Jorge is not fortuitous . According to Janson , his expression corresponds to the triumphant figure of David to that of a saint dragon slayer . ofThus, occupy a place in the iconography of the biblical hero \" from the previous version of itself Donatello and Michelangelo's famous giant \" . It has been recognized in the San Jorge a metamorphosis of another of the same style sculpture representing David . ( ... )
Sculpted by custom gunsmiths Guild (Arte dei Corazzai and Spadai ) for Or San Michele , the statue of the saint and protector quintessential gentleman guild was placed in a Gothic niche adorned by a pediment where it appears God the Father and in the base , by a marble bas-relief \" where the saint kills the dragon \" ( Vasari ) . If the San Jorge has become the paradigm of Quattrocento statuary is precisely because it can not be compared to any other contemporary sculpture. The volume fullness links here forgotten the lesson and provided stable forms of weight that are characteristic of Giotto , renewed by the sculptor . The change that would emerge in the latesecond decade of the fifteenth century Florentine style evolution Ghiberti and that would cause the passage from the San Juan Bautista San Mateo is evident in all splendor at the St. George by Donatello. The \"natural\" aspect of the statue called the attention of the beholder. While there is a main point of contemplation , seen from another angle does not lose at all your concentration and roundness shape. It embodies a human dimension exemplary , ideal, which stands in a space which serves as a measure and comprising within its legislative \" the beholder \" . Do not forget that is contemporary with Brunelleschi's perspectival experiences . ( ... ) He has the poise and the sovereign authority of Christ placed by Masaccio , a few years later , in the middle of Pay Tribute cool in the church del Carmine in Florence.
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Plaza San Jorge, 1