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Pizarro Orellana JUAN PALACE
Taking advantage of the military structure of a medieval building, which was owned by the lineage Vargas and served to protect the winding existing access from the Faubourg Saint-Martin, Plaza Mayor and Royal Road to Seville to the door of Vera Cruz, San Andrés today -, houses of Juan Pizarro de Orellana-star of the Conquest of the Inca Empire were built around 1541, since become the first major trujillanas Renaissance residences. Its courtyard, double cloistered, ornate revival reminiscent of Alonso de Covarrubias, and drink directly from the treatise on architecture of Diego de Sagredo (Toledo, 1526), from which its author - Sancho de Cabrera? - Took Italic capitals models that support arcaturas paths, in addition to the typical shoes that support the entablature above.
The main facade rests on a slice-vaulted arcades and originally covered by a wrought-saetinos tapes and above which stands a grand lodge or soleador that opens and connects the building with the city suburban environment.
Stayed in these houses, protected by his own Don Fernando Pizarro de Orellana, our universal writer Miguel de Cervantes.
In Google Translate
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PALACIO DE JUAN ORELLANA PIZARRO
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Pizarro Orellana JUAN PALACE
Taking advantage of the military structure of a medieval building, which was owned by the lineage Vargas and served to protect the winding existing access from the Faubourg Saint-Martin, Plaza Mayor and Royal Road to Seville to the door of Vera Cruz, San Andrés today -, houses of Juan Pizarro de Orellana-star of the Conquest of the Inca Empire were built around 1541, since become the first major trujillanas Renaissance residences. Its courtyard, double cloistered, ornate revival reminiscent of Alonso de Covarrubias, and drink directly from the treatise on architecture of Diego de Sagredo (Toledo, 1526), from which its author - Sancho de Cabrera? - Took Italic capitals models that support arcaturas paths, in addition to the typical shoes that support the entablature above.
The main facade rests on a slice-vaulted arcades and originally covered by a wrought-saetinos tapes and above which stands a grand lodge or soleador that opens and connects the building with the city suburban environment.
Stayed in these houses, protected by his own Don Fernando Pizarro de Orellana, our universal writer Miguel de Cervantes.
In Google Translate
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Calle Cuesta de la Sangre, 4