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\"Pilgrim and Apóstolo novo . San Francisco Santiago non Camiño \"
Exhibition to mark the 800th anniversary of the pilgrimage of St. Francis of Assisi to Santiago de Compostela.
Opened on June 20, 2014
Section 1.
\" Francesco in Hispania. Imaxe and memory do Poverello \" .
In Spain Franciscan iconography developed from the thirteenth century the pious episodes from the life of St. Francis of Assisi , Baroque played on the lifeless body of the poor man , and celebrating the spirit of closeness with the Creator , becoming one of the major saints mediators . His image is multiplied eardrums and capitals, cloisters and churches of the order, and reaches the canvas of authors such as Domenicos Theotokopoulos , El Greco.
The magnificent Baroque culture and sense , with a magnificent and very close to the popular religion formally taste, encouraged the likes of images and illusion of naturalistic painting with more vocationPaint truth . So as Francisco Salzillo or sculptors Luis Salvador Carmona , or painters like Francisco Zurbarán be drawing the image of the saint in prayer, meditation, or carrying the cross showing the stigmata.
Many of the most celebrated writers of the Spanish Baroque face to face and gesture alter Christus , stimulated by the hagiographic texts known from the late thirteenth century , Legenda Maior as Sancti Francisci , St. Bonaventure , or Golden Legend , of Jacopo Varazze. This verismo tradition will continue in -the classical example of Galician sculptor José Ferreiro is becoming significant- the twentieth century , with authors such as Francisco Asorey , Galician Cambados , author of a wood carving of a stone monument and designed in 1926 , holding the seventh anniversary of the death of the poor man , in memory of the saint of Assisi pilgrimage to the tomb of St. James .
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San Francisco no Camiño de Santiago 01. Imaxe e memoria do Poverello
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\"Pilgrim and Apóstolo novo . San Francisco Santiago non Camiño \"
Exhibition to mark the 800th anniversary of the pilgrimage of St. Francis of Assisi to Santiago de Compostela.
Opened on June 20, 2014
Section 1.
\" Francesco in Hispania. Imaxe and memory do Poverello \" .
In Spain Franciscan iconography developed from the thirteenth century the pious episodes from the life of St. Francis of Assisi , Baroque played on the lifeless body of the poor man , and celebrating the spirit of closeness with the Creator , becoming one of the major saints mediators . His image is multiplied eardrums and capitals, cloisters and churches of the order, and reaches the canvas of authors such as Domenicos Theotokopoulos , El Greco.
The magnificent Baroque culture and sense , with a magnificent and very close to the popular religion formally taste, encouraged the likes of images and illusion of naturalistic painting with more vocationPaint truth . So as Francisco Salzillo or sculptors Luis Salvador Carmona , or painters like Francisco Zurbarán be drawing the image of the saint in prayer, meditation, or carrying the cross showing the stigmata.
Many of the most celebrated writers of the Spanish Baroque face to face and gesture alter Christus , stimulated by the hagiographic texts known from the late thirteenth century , Legenda Maior as Sancti Francisci , St. Bonaventure , or Golden Legend , of Jacopo Varazze. This verismo tradition will continue in -the classical example of Galician sculptor José Ferreiro is becoming significant- the twentieth century , with authors such as Francisco Asorey , Galician Cambados , author of a wood carving of a stone monument and designed in 1926 , holding the seventh anniversary of the death of the poor man , in memory of the saint of Assisi pilgrimage to the tomb of St. James .
In Google Translate
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Plaza de Fonseca